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Duke University Press
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Melodrama and the Myth of the Soviet Union
-
Lars T. Lih
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- The Misanthrope, the Orphan, and the Magpie: Imported Melodrama in the Twilight of Serfdom 25
- Melodramatizing Russia: Nineteenth-Century Views from theWest 55
- The Importance of Being Unhappy, or,Why She Died 79
- Melodrama as Counterliterature? Count Amori’s Response to Three Scandalous Novels 99
- HomeWas Never Where the Heart Was: Domestic Dystopias in Russia’s Silent Movie Melodramas 127
- Alcohol Is Our Enemy! Soviet Temperance Melodramas of the 1920s 152
- Melodrama and the Myth of the Soviet Union 178
- Soviet Family Melodrama of the 1940s and 1950s: From Wait for Me to The Cranes Are Flying 208 208
- Conventional Melodrama, Innovative Theater, and a Melodramatic Society: Pavel Kohout’s Such a Love at the Moscow University Student Theater 232
- Between Public and Private: Revolution and Melodrama in Nikita Mikhalkov’s Slave of Love 259
- Playing Dead: The Operatics of Celebrity Funerals, or, The Ultimate Silent Part 283
- Suggested Reading 321
- Contributors 325
- Index 327
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- The Misanthrope, the Orphan, and the Magpie: Imported Melodrama in the Twilight of Serfdom 25
- Melodramatizing Russia: Nineteenth-Century Views from theWest 55
- The Importance of Being Unhappy, or,Why She Died 79
- Melodrama as Counterliterature? Count Amori’s Response to Three Scandalous Novels 99
- HomeWas Never Where the Heart Was: Domestic Dystopias in Russia’s Silent Movie Melodramas 127
- Alcohol Is Our Enemy! Soviet Temperance Melodramas of the 1920s 152
- Melodrama and the Myth of the Soviet Union 178
- Soviet Family Melodrama of the 1940s and 1950s: From Wait for Me to The Cranes Are Flying 208 208
- Conventional Melodrama, Innovative Theater, and a Melodramatic Society: Pavel Kohout’s Such a Love at the Moscow University Student Theater 232
- Between Public and Private: Revolution and Melodrama in Nikita Mikhalkov’s Slave of Love 259
- Playing Dead: The Operatics of Celebrity Funerals, or, The Ultimate Silent Part 283
- Suggested Reading 321
- Contributors 325
- Index 327