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1 Pornography, Porno, Porn: Thoughts on a Weedy Field

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Porn Archives
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1Pornography, Porno, Porn: Thoughts on a Weedy FieldLinda WilliamsThe FieldAcademic fields are gardens that need to be tended. Sometimes they grow and flourish; sometimes they dry up and die. For the last ten years many of us working in pornography studies have labored under the belief that we were building an important field that deserved academic legitimacy. There was often an evangelical fervor about our work. Against the odds, we tried to build a field that would be as much like any other as possible. I want to take a cool look at the extent to which this has actually happened. What would we need to really make such a field instead of, as I think has too often happened, to only gesture toward it?In 1989 I published my first—and last—single-authored book about por-nography: Hard Core: Power, Pleasure, and “the Frenzy of the Visible.” It was hardly the first book on the topic, but I believe that it was the first academic, femi-nist book to be interested in the form and history, the power and pleasure, of moving-image pornography. In writing this book I had absolutely no in-tention of spawning a field. I simply wanted to understand more about these troubling, fascinating, and provoking films, just then turning into the more ubiquitous videos that actually made my study of them possible. How could I understand these pornographies as part of our popular culture, as genres like other film genres? What was their address to us as spectators; what was their history?I did not, at that time, seek a place for what would come to be called “porn studies” in the academy. In 1989 that seemed unthinkable. However, ten years later, after publishing an updated second edition, I began to think that it might be possible. For me it would be a subfield of film and video studies; for others it might be a subfield of history, art history, anthropology, cultural studies, or the then-developing queer studies. It would be an interdisciplinary
© 2020 Duke University Press, Durham, USA

1Pornography, Porno, Porn: Thoughts on a Weedy FieldLinda WilliamsThe FieldAcademic fields are gardens that need to be tended. Sometimes they grow and flourish; sometimes they dry up and die. For the last ten years many of us working in pornography studies have labored under the belief that we were building an important field that deserved academic legitimacy. There was often an evangelical fervor about our work. Against the odds, we tried to build a field that would be as much like any other as possible. I want to take a cool look at the extent to which this has actually happened. What would we need to really make such a field instead of, as I think has too often happened, to only gesture toward it?In 1989 I published my first—and last—single-authored book about por-nography: Hard Core: Power, Pleasure, and “the Frenzy of the Visible.” It was hardly the first book on the topic, but I believe that it was the first academic, femi-nist book to be interested in the form and history, the power and pleasure, of moving-image pornography. In writing this book I had absolutely no in-tention of spawning a field. I simply wanted to understand more about these troubling, fascinating, and provoking films, just then turning into the more ubiquitous videos that actually made my study of them possible. How could I understand these pornographies as part of our popular culture, as genres like other film genres? What was their address to us as spectators; what was their history?I did not, at that time, seek a place for what would come to be called “porn studies” in the academy. In 1989 that seemed unthinkable. However, ten years later, after publishing an updated second edition, I began to think that it might be possible. For me it would be a subfield of film and video studies; for others it might be a subfield of history, art history, anthropology, cultural studies, or the then-developing queer studies. It would be an interdisciplinary
© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. ACKNOWLEDGMENTS ix
  4. INTRODUCTION Pornography, Technology, Archive 1
  5. PART I Pedagogical Archives
  6. 1 Pornography, Porno, Porn: Thoughts on a Weedy Field 29
  7. 2 Pornography as a Utilitarian Social Structure: A Conversation with Frances Ferguson 44
  8. 3 The Opening of Kobena, Cecilia, Robert, Linda, Juana, Hoang, and the Others 61
  9. 4 Pornography in the Library 78
  10. PART II Historical Archives
  11. 5 “A Quantity of Offensive Matter”: Private Cases in Public Places 103
  12. 6 Up from Underground 127
  13. 7 “A Few Drops of Thick, White, Viscid Sperm”: Teleny and the Defense of the Phallus 144
  14. PART III Image Archives
  15. 8 Art and Pornography: At the Limit of Action 163
  16. 9 Big Black Beauty: Drawing and Naming the Black Male Figure in Superhero and Gay Porn Comics 183
  17. 10 Gay Sunshine, Pornopoetic Collage, and Queer Archive 213
  18. 11 This Is What Porn Can Be Like! A Conversation with Shine Louise Houston 234
  19. PART IV Rough Archives
  20. 12 Snuff and Nonsense: The Discursive Life of a Phantasmatic Archive 249
  21. 13 Rough Sex 262
  22. 14 “It’s Not Really Porn”: Insex and the Revolution in Technological Interactivity 284
  23. PART V Transnational Archives
  24. 15 Porno Rícans at the Borders of Empire 303
  25. 16 Butts, Bundas, Bottoms, Ends: Tracing the Legacy of the Pornochanchada in A b . . . profunda 317
  26. 17 Pornographic Faith: Two Sources of Naked Sense at the Limits of Belief and Humiliation 338
  27. 18 Parody of War: Pleasure at the Limits of Pornography 356
  28. PART VI Archives of Excess
  29. 19 Fantasy Uncut: Foreskin Fetishism and the Morphology of Desire 375
  30. 20 Stadler’s Boys; or, The Fictions of Child Pornography 399
  31. 21 Stumped 420
  32. APPENDIX Clandestine Catalogs: A Bibliography of Porn Research Collections 441
  33. FILMOGRAPHY 457
  34. BIBLIOGRAPHY 459
  35. NOTES ON CONTRIBUTORS 481
  36. INDEX 485
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