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I'm Not Myself at All
This chapter is in the book I'm Not Myself at All
Page numbers in boldface refer to illustrationsAboriginal: relations, 320–1n111; status, 160absence: archival, 5–6, 19; Beothuk, 25–63; and Demasduit, 15, 19; and Frances Anne Hopkins, 66, 72, 80–1, 84, 89, 101–2; and Helen McNicoll, 127–33; Indigenous, 58–63, 86; and meaning, 11; and realism, 80–1; and subjectivity, 4, 9, 16, 30, 103, 152, 204, 295–6 Adams, Mollie, 200, 205Adney, E. Tappan, 320n102 Adorno, Theodor, 16Aesthetic movement, 104–5, 135, 211aesthetics: and ethics, 282; and subjectivity, 8–10, 15, 289affect, 21–2, 47, 238–9, 242–3agency: of artworks, 21, 298; female, 11, 54, 199, 202, 295; Indigenous, 52, 55, 90, 251; of individuals, 6, 238; non-human, 261–2, 276–8, 282–4; and perception, 9Ainley, Marianne Gosztonyi, 199albums, 28, 150, 152, 163, 165, 167–70, 172, 187, 189alienation, 20, 216, 244; as estrangement, 11, 14, 118; maternal, 5, 210, 237; from nature, 138, 255; and normativity, 118, 134; from social formations, 98–9, 145–6, 244alterity. See difference Althusser, Louis, 59ambivalence: and colonial formation, 13–14, 55, 144; maternal, 224–5, 333n10; subjective, 5, 7, 19, 75; and travel, 84, 100, 102Anderson, Janice, 215, 295Andreas-Salomé, Lou, 216Anguissola, Sofonisba, 294animism, 266, 281–7Anishnaabe, 37, 86, 88; chiefs, 88, 319n75; craftspeople, 46; iconography, 66; land, 88; resistance, 88anthropomorphism, 190, 281–3aporia. See subjectivityappropriation: cultural, 99, 251; land, 339–40n66Aristotelian logic, 182 art: as documentary artifact, 29, 31, 67; political use of, 25–7, 37; relation to lived experience 106–7, 114, 137–8, 145; as self-expression, 103–4, 106–7; women’s, 10, 27, 106–7, 145, 152, 298Art Association of Montreal, 74, 93, 126, 127, 137, 142, 212art history: Canadian, 6, 12, 20–1, 139–41, 143, 254, 292–3, 298; feminist, 6, 11, 22, 107, 118, 145, 243, 298; and identity, 6–7; Indigenous, 18–22, 253; and interpretation, 18–20, 145; and the past, 20, 63; settler, 20–1, 254, 283, 292artists, 8–9; British, 136–7; Canadian, 13, 105, 120, 135, 142, 211, 220, 240; Canadian women, 9, 11–12, 14, 19, 125, 141–2, 159, 166, 211, 244; colonies, 109, 116, 120; European, 196; male, 12, 152, 183; professional, 38, 202; settler, 13, 95, 141; women, 6, 14, 76, 22, 104, 107, 109, 120, 125, 145, 159, 182–4, 196, 208–9, 228, 243, 294–5Index
© McGill-Queen's University Press

Page numbers in boldface refer to illustrationsAboriginal: relations, 320–1n111; status, 160absence: archival, 5–6, 19; Beothuk, 25–63; and Demasduit, 15, 19; and Frances Anne Hopkins, 66, 72, 80–1, 84, 89, 101–2; and Helen McNicoll, 127–33; Indigenous, 58–63, 86; and meaning, 11; and realism, 80–1; and subjectivity, 4, 9, 16, 30, 103, 152, 204, 295–6 Adams, Mollie, 200, 205Adney, E. Tappan, 320n102 Adorno, Theodor, 16Aesthetic movement, 104–5, 135, 211aesthetics: and ethics, 282; and subjectivity, 8–10, 15, 289affect, 21–2, 47, 238–9, 242–3agency: of artworks, 21, 298; female, 11, 54, 199, 202, 295; Indigenous, 52, 55, 90, 251; of individuals, 6, 238; non-human, 261–2, 276–8, 282–4; and perception, 9Ainley, Marianne Gosztonyi, 199albums, 28, 150, 152, 163, 165, 167–70, 172, 187, 189alienation, 20, 216, 244; as estrangement, 11, 14, 118; maternal, 5, 210, 237; from nature, 138, 255; and normativity, 118, 134; from social formations, 98–9, 145–6, 244alterity. See difference Althusser, Louis, 59ambivalence: and colonial formation, 13–14, 55, 144; maternal, 224–5, 333n10; subjective, 5, 7, 19, 75; and travel, 84, 100, 102Anderson, Janice, 215, 295Andreas-Salomé, Lou, 216Anguissola, Sofonisba, 294animism, 266, 281–7Anishnaabe, 37, 86, 88; chiefs, 88, 319n75; craftspeople, 46; iconography, 66; land, 88; resistance, 88anthropomorphism, 190, 281–3aporia. See subjectivityappropriation: cultural, 99, 251; land, 339–40n66Aristotelian logic, 182 art: as documentary artifact, 29, 31, 67; political use of, 25–7, 37; relation to lived experience 106–7, 114, 137–8, 145; as self-expression, 103–4, 106–7; women’s, 10, 27, 106–7, 145, 152, 298Art Association of Montreal, 74, 93, 126, 127, 137, 142, 212art history: Canadian, 6, 12, 20–1, 139–41, 143, 254, 292–3, 298; feminist, 6, 11, 22, 107, 118, 145, 243, 298; and identity, 6–7; Indigenous, 18–22, 253; and interpretation, 18–20, 145; and the past, 20, 63; settler, 20–1, 254, 283, 292artists, 8–9; British, 136–7; Canadian, 13, 105, 120, 135, 142, 211, 220, 240; Canadian women, 9, 11–12, 14, 19, 125, 141–2, 159, 166, 211, 244; colonies, 109, 116, 120; European, 196; male, 12, 152, 183; professional, 38, 202; settler, 13, 95, 141; women, 6, 14, 76, 22, 104, 107, 109, 120, 125, 145, 159, 182–4, 196, 208–9, 228, 243, 294–5Index
© McGill-Queen's University Press

Chapters in this book

  1. Front Matter i
  2. Contents ix
  3. Acknowledgments xi
  4. Introduction 1
  5. Identities
  6. Absence 25
  7. Displacements 65
  8. Gaps 103
  9. Forces
  10. Diversity 149
  11. Inclination 207
  12. Listening 245
  13. Coda 294
  14. Illustrations 299
  15. Notes 309
  16. Bibliography 343
  17. Index 369
Readers are also interested in:
https://doi.org/10.1515/9780773554030-013

Chapters in this book

  1. Front Matter i
  2. Contents ix
  3. Acknowledgments xi
  4. Introduction 1
  5. Identities
  6. Absence 25
  7. Displacements 65
  8. Gaps 103
  9. Forces
  10. Diversity 149
  11. Inclination 207
  12. Listening 245
  13. Coda 294
  14. Illustrations 299
  15. Notes 309
  16. Bibliography 343
  17. Index 369
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