Home Arts Bibliography
Chapter
Licensed
Unlicensed Requires Authentication

Bibliography

View more publications by University of Washington Press
187BibliographyABBREVIATIONSCSJC Congshu jicheng chubian 叢書集成初編. Beijing: Zhonghua Shuju, 1985–91.CSJCXB Congshu jicheng xinbian 叢書集成新編. Taipei: Xinwenfeng Chuban Gufen Youxian Gongsi, 1985.DZ Daozang 道藏. Beijing: Wenwu Chubanshe; Shanghai: Shanhai Shudian; Tianjin: Tianjin Guji Chubanshe, 1988.SDZS Shodō zenshū書道全集. Tokyo: Heibonsha, 1957.SKQSYingyin Wenyuange Siku quanshu景印文淵閣四庫全書. Taipei: Taiwan Shangwu Yinshuguan, 1983.SKSLShike shiliao xinbian 石刻史料新編. Taipei: Xinwenfeng Chuban Gufen Youxian Gongsi, 1982.TSZ Taishō shinshū Daizōky大正新脩大藏經. Tokyo: Taishō Shinshū Daizōkyō Kankōkai, 1969.XSKQSXuxiu Siku quanshu續修四庫全書. Shanghai: Shanghai Guji Chubanshe, 2003.ZGSHQSLu Fusheng 盧輔聖, ed. Zhongguo shuhua quanshu 中國書畫全書. Shanghai: Shanghai Shuhua Chubanshe, 1993–98.SOURCESAn Siyuan [Robert Hatfield Ellsworth]. An Siyuan cang shanben beitie xuan 安思遠藏善本碑帖選. Beijing: Wenwu Chubanshe, 1996.Armstrong, Edwards A. “The Crane Dance in East and West.” Antiquity 17 (1943): 71–76.Bai, Qianshen. Fu Shan’s World: The Transformation of Chinese Calligraphy in the Seventeenth Century. Cambridge, MA: Harvard University Asia Center, 2003.Ban Gu 班固. Han shu 漢書. Beijing: Zhonghua Shuju, 1995.Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations, 217–52. New York: Harcourt, Brace & World, 1968.Berliner, Nancy. “The ‘Eight Brokens’: Chinese Trompe-l’oeil Painting.” Orientations 23, no. 2 (1992): 61–70.XUE_EuologyCrane_Fifth.indd 18710/28/19 1:26 PM
© 2019, University of Washington Press

187BibliographyABBREVIATIONSCSJC Congshu jicheng chubian 叢書集成初編. Beijing: Zhonghua Shuju, 1985–91.CSJCXB Congshu jicheng xinbian 叢書集成新編. Taipei: Xinwenfeng Chuban Gufen Youxian Gongsi, 1985.DZ Daozang 道藏. Beijing: Wenwu Chubanshe; Shanghai: Shanhai Shudian; Tianjin: Tianjin Guji Chubanshe, 1988.SDZS Shodō zenshū書道全集. Tokyo: Heibonsha, 1957.SKQSYingyin Wenyuange Siku quanshu景印文淵閣四庫全書. Taipei: Taiwan Shangwu Yinshuguan, 1983.SKSLShike shiliao xinbian 石刻史料新編. Taipei: Xinwenfeng Chuban Gufen Youxian Gongsi, 1982.TSZ Taishō shinshū Daizōky大正新脩大藏經. Tokyo: Taishō Shinshū Daizōkyō Kankōkai, 1969.XSKQSXuxiu Siku quanshu續修四庫全書. Shanghai: Shanghai Guji Chubanshe, 2003.ZGSHQSLu Fusheng 盧輔聖, ed. Zhongguo shuhua quanshu 中國書畫全書. Shanghai: Shanghai Shuhua Chubanshe, 1993–98.SOURCESAn Siyuan [Robert Hatfield Ellsworth]. An Siyuan cang shanben beitie xuan 安思遠藏善本碑帖選. Beijing: Wenwu Chubanshe, 1996.Armstrong, Edwards A. “The Crane Dance in East and West.” Antiquity 17 (1943): 71–76.Bai, Qianshen. Fu Shan’s World: The Transformation of Chinese Calligraphy in the Seventeenth Century. Cambridge, MA: Harvard University Asia Center, 2003.Ban Gu 班固. Han shu 漢書. Beijing: Zhonghua Shuju, 1995.Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations, 217–52. New York: Harcourt, Brace & World, 1968.Berliner, Nancy. “The ‘Eight Brokens’: Chinese Trompe-l’oeil Painting.” Orientations 23, no. 2 (1992): 61–70.XUE_EuologyCrane_Fifth.indd 18710/28/19 1:26 PM
© 2019, University of Washington Press
Downloaded on 18.9.2025 from https://www.degruyterbrill.com/document/doi/10.1515/9780295746357-014/html?licenseType=restricted&srsltid=AfmBOoogh_jdRokuELNsrhD6EST2g6Ra7e7pkGTpuxGW0PJnBJ0DOICv
Scroll to top button