Chapter
Licensed
Unlicensed
Requires Authentication
1. Sound and Discourse: On Russian National Musical Style
-
Boris Gasparov
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents ix
- Acknowledgments xi
- Introduction: In the Shadow of Literature xiii
- 1. Sound and Discourse: On Russian National Musical Style 1
- 2. Farewell to the Enchanted Garden: Pushkin, Glinka’s Ruslan and Ludmila, and Nicholas’s Russia 23
- 3. Eugene Onegin in the Age of Realism 58
- 4. Khovanshchina: A Musical Drama, Russian-Style (Wagner and Musorgsky) 95
- 5. Lost in a Symbolist City: Multiple Chronotopes in Chaikovsky’s The Queen of Spades 132
- 6. A Testimony: Shostakovich’s Fourth Symphony and the End of Romantic Narrative 161
- 7. ‘‘Popolo di Pekino’’: Musorgsky’s Muscovy in Early Twentieth-Century Europe 185
- Epilogue 209
- Notes 219
- Index 255
Chapters in this book
- Frontmatter i
- Contents ix
- Acknowledgments xi
- Introduction: In the Shadow of Literature xiii
- 1. Sound and Discourse: On Russian National Musical Style 1
- 2. Farewell to the Enchanted Garden: Pushkin, Glinka’s Ruslan and Ludmila, and Nicholas’s Russia 23
- 3. Eugene Onegin in the Age of Realism 58
- 4. Khovanshchina: A Musical Drama, Russian-Style (Wagner and Musorgsky) 95
- 5. Lost in a Symbolist City: Multiple Chronotopes in Chaikovsky’s The Queen of Spades 132
- 6. A Testimony: Shostakovich’s Fourth Symphony and the End of Romantic Narrative 161
- 7. ‘‘Popolo di Pekino’’: Musorgsky’s Muscovy in Early Twentieth-Century Europe 185
- Epilogue 209
- Notes 219
- Index 255