Chapter
Open Access
Acknowledgements
Chapters in this book
- Prelim pages i
- Table of contents vii
- Series editor’s preface ix
- Acknowledgements xi
- Contributors xiii
- List of figures xvii
- Introduction 1
-
Part I. Common(ing) problems
- Chapter 1. Risk and responsibility in Kamila Shamsie’s Burnt Shadows 16
- Chapter 2. An escape artist 33
-
Part II. Ruptured spaces
- Chapter 3. A work, or a walk, in progress 56
- Chapter 4. Drawing life in limbo 75
-
Part III. Fractured histories
- Chapter 5. Narrating entanglements of British Colonialism and German National Socialism 100
- Chapter 6. Performing the archive 119
-
Part IV. Disrupted ecologies
- Chapter 7. Planetary crisis and the sympoietics of the pest 140
- Chapter 8. ‘Dangerous, Ugly Air’ 159
-
Part V. Healing and regeneration
- Chapter 9. Mothering the anthropocene 182
- Chapter 10. Discovering the “ in-common ” in Magnet Theatre’s Every Year, Every Day, I Am Walking 204
- Afterword 226
- Index 231
Chapters in this book
- Prelim pages i
- Table of contents vii
- Series editor’s preface ix
- Acknowledgements xi
- Contributors xiii
- List of figures xvii
- Introduction 1
-
Part I. Common(ing) problems
- Chapter 1. Risk and responsibility in Kamila Shamsie’s Burnt Shadows 16
- Chapter 2. An escape artist 33
-
Part II. Ruptured spaces
- Chapter 3. A work, or a walk, in progress 56
- Chapter 4. Drawing life in limbo 75
-
Part III. Fractured histories
- Chapter 5. Narrating entanglements of British Colonialism and German National Socialism 100
- Chapter 6. Performing the archive 119
-
Part IV. Disrupted ecologies
- Chapter 7. Planetary crisis and the sympoietics of the pest 140
- Chapter 8. ‘Dangerous, Ugly Air’ 159
-
Part V. Healing and regeneration
- Chapter 9. Mothering the anthropocene 182
- Chapter 10. Discovering the “ in-common ” in Magnet Theatre’s Every Year, Every Day, I Am Walking 204
- Afterword 226
- Index 231