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4.4.8. Postmodernism in Russia
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Chapters in this book
- Prelim pages i
- General preface v
- Foreword vii
- Acknowledgements x
- List of illustrations xi
- Table of contents xiii
-
I. Introductory Essays
- 1.1 The Debate on Postmodernism 3
- 1.2 The Semiotics of Literacy Postmodernism 15
- 1.3 The Inscription of Postmodenism in Poetry 43
- 1.4 The Politics of Postmodernism after the Wall 51
- 1.5 Rethinking the Postmodernity of the Discourse of postmodernism 65
- 1.6 Postmodernity as a Philosophical Concept 75
- 1.7 The Concept of Postmodernism from a Philosophical Point of View 89
- 1.8 The Sociology of Postmodernity 103
-
II. Postmodernism in the Other Arts
- 2.0 Introductory Note 121
- 2.1 Post-modern Architecture and Time Fusion 123
- 2.2 Postmodernism and Theatrical Performance 129
- 2.3 Postmodernism and Film 141
- 2.4 Postmodern Dance 151
- 2.5 On Postmodernism in Music 157
- 2.6 Postmodernism and the Visual Arts 167
-
III. Renovations and Innovations in Postmodernist Writing
- 3.0 Introductory Note 177
-
3.1 Postmodernist Renovations of Narrative Genres
- 3.1.1. The Western 183
- 3.1.2 The Detective 195
- 3.1.3 Historical Fiction 203
- 3.1.4 The Heimat Novel 213
- 3.1.5 Autobiography 221
- 3.1.6 Science Fiction 235
-
3.2 Other Strategies and Devices in Postmodernist Writing
- 3.2.1 Rewriting 243
- 3.2.2 Intertextuality 249
- 3.2.3 Self-referentiality 257
- 3.2.4 The Refutation of Truth Claims 265
- 3.2.5 Nonteleological Narration 273
- 3.2.6 Postmodernisms 283
-
IV. The Reception and Processing of Postmodernism
- 4.0 Introductory Note 297
- 4.1 An Arkeology of (My) Canadian Postmodern 307
-
4.2 Latin America
- 4.2.1. Postmodernism in Spanish-American Writing 315
- 4.2.2. Postmodernism in Brazil 327
-
4.3 Western and Southern Europe
- 4.3.1. Postmodernism in the United Kingdom and the republic of Ireland 337
- 4.3.2. Postmodernism in France 353
- 4.3.3. Postmodernism in the German- and Dutch- Speaking Countries 359
- 4.3.4. Postmodernism in Scandinavia 375
- 4.3.5. Postmodernism in Finland 383
- 4.3.6. Postmodernism in Italy 387
- 4.3.7. Postmodernity and Literture in Spain 397
- 4.3.8.Postmodernism in Portugal 405
-
4.4. Central and Eastern Europe
- 4.4.1. Postmodernism in Slovak Literature 413
- 4.4.2. Postmodernism in Czech Literature 419
- 4.4.3. Postmodernism in Poland 423
- 4.4.4. Postmodern Literature in Hungary 429
- 4.4.5. Romanian Postmodernism 435
- 4.4.6. Postmodernism in the Literatures of Former Yugoslavia 441
- 4.4.7. Postmodernism in Post-Soviet Latvia 447
- 4.4.8. Postmodernism in Russia 451
-
4.5 africa
- 4.5.1. Postmodernism in African Literature in English 463
- 4.5.2. Postmodernism and African Francophone Literature 469
- 4.5.3. Modernism and Postmodernism in African Literatute in Portuguese 477
- 4.5.4. South Africa 483
- 4.6. Facets of postmodernism 491
- 4.7. The Reception of Postmodernism in China 499
- 4.8. Postmodernism in Japan 511
- Contributors 517
- Bibliography of secondary Sources 523
- Subject Index 553
- Index of Names 558
Chapters in this book
- Prelim pages i
- General preface v
- Foreword vii
- Acknowledgements x
- List of illustrations xi
- Table of contents xiii
-
I. Introductory Essays
- 1.1 The Debate on Postmodernism 3
- 1.2 The Semiotics of Literacy Postmodernism 15
- 1.3 The Inscription of Postmodenism in Poetry 43
- 1.4 The Politics of Postmodernism after the Wall 51
- 1.5 Rethinking the Postmodernity of the Discourse of postmodernism 65
- 1.6 Postmodernity as a Philosophical Concept 75
- 1.7 The Concept of Postmodernism from a Philosophical Point of View 89
- 1.8 The Sociology of Postmodernity 103
-
II. Postmodernism in the Other Arts
- 2.0 Introductory Note 121
- 2.1 Post-modern Architecture and Time Fusion 123
- 2.2 Postmodernism and Theatrical Performance 129
- 2.3 Postmodernism and Film 141
- 2.4 Postmodern Dance 151
- 2.5 On Postmodernism in Music 157
- 2.6 Postmodernism and the Visual Arts 167
-
III. Renovations and Innovations in Postmodernist Writing
- 3.0 Introductory Note 177
-
3.1 Postmodernist Renovations of Narrative Genres
- 3.1.1. The Western 183
- 3.1.2 The Detective 195
- 3.1.3 Historical Fiction 203
- 3.1.4 The Heimat Novel 213
- 3.1.5 Autobiography 221
- 3.1.6 Science Fiction 235
-
3.2 Other Strategies and Devices in Postmodernist Writing
- 3.2.1 Rewriting 243
- 3.2.2 Intertextuality 249
- 3.2.3 Self-referentiality 257
- 3.2.4 The Refutation of Truth Claims 265
- 3.2.5 Nonteleological Narration 273
- 3.2.6 Postmodernisms 283
-
IV. The Reception and Processing of Postmodernism
- 4.0 Introductory Note 297
- 4.1 An Arkeology of (My) Canadian Postmodern 307
-
4.2 Latin America
- 4.2.1. Postmodernism in Spanish-American Writing 315
- 4.2.2. Postmodernism in Brazil 327
-
4.3 Western and Southern Europe
- 4.3.1. Postmodernism in the United Kingdom and the republic of Ireland 337
- 4.3.2. Postmodernism in France 353
- 4.3.3. Postmodernism in the German- and Dutch- Speaking Countries 359
- 4.3.4. Postmodernism in Scandinavia 375
- 4.3.5. Postmodernism in Finland 383
- 4.3.6. Postmodernism in Italy 387
- 4.3.7. Postmodernity and Literture in Spain 397
- 4.3.8.Postmodernism in Portugal 405
-
4.4. Central and Eastern Europe
- 4.4.1. Postmodernism in Slovak Literature 413
- 4.4.2. Postmodernism in Czech Literature 419
- 4.4.3. Postmodernism in Poland 423
- 4.4.4. Postmodern Literature in Hungary 429
- 4.4.5. Romanian Postmodernism 435
- 4.4.6. Postmodernism in the Literatures of Former Yugoslavia 441
- 4.4.7. Postmodernism in Post-Soviet Latvia 447
- 4.4.8. Postmodernism in Russia 451
-
4.5 africa
- 4.5.1. Postmodernism in African Literature in English 463
- 4.5.2. Postmodernism and African Francophone Literature 469
- 4.5.3. Modernism and Postmodernism in African Literatute in Portuguese 477
- 4.5.4. South Africa 483
- 4.6. Facets of postmodernism 491
- 4.7. The Reception of Postmodernism in China 499
- 4.8. Postmodernism in Japan 511
- Contributors 517
- Bibliography of secondary Sources 523
- Subject Index 553
- Index of Names 558