Manchester University Press
6 Filming Northern Ireland
Abstract
This chapter considers the issues that face filmmakers working on stories set in Northern Ireland in the post-Troubles era. Topics include the use of genre, specifically the thriller, and questions of trauma and catharsis. A particular focus is on hunger strike narratives, including Hunger (Steve McQueen, 2008). It also provides a production background to filming in Northern Ireland. As in Chapter 5, it considers the use of melodrama as a narrative mode.
Abstract
This chapter considers the issues that face filmmakers working on stories set in Northern Ireland in the post-Troubles era. Topics include the use of genre, specifically the thriller, and questions of trauma and catharsis. A particular focus is on hunger strike narratives, including Hunger (Steve McQueen, 2008). It also provides a production background to filming in Northern Ireland. As in Chapter 5, it considers the use of melodrama as a narrative mode.
Kapitel in diesem Buch
- Front matter i
- Dedication v
- Contents vii
- List of figures viii
- Acknowledgements x
- Introduction 1
- 1 How to make an Irish film 24
- 2 Animating Ireland 41
- 3 Ireland of the horrors 67
- 4 Documenting Ireland 91
- 5 Irish history and trauma 117
- 6 Filming Northern Ireland 138
- 7 Rural and small-town Ireland on screen 167
- 8 Images of the city 196
- Conclusion 224
- Appendix 227
- Index 229
Kapitel in diesem Buch
- Front matter i
- Dedication v
- Contents vii
- List of figures viii
- Acknowledgements x
- Introduction 1
- 1 How to make an Irish film 24
- 2 Animating Ireland 41
- 3 Ireland of the horrors 67
- 4 Documenting Ireland 91
- 5 Irish history and trauma 117
- 6 Filming Northern Ireland 138
- 7 Rural and small-town Ireland on screen 167
- 8 Images of the city 196
- Conclusion 224
- Appendix 227
- Index 229