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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Seeing Through he "Postwar" Years 1
- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace 21
- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother 41
- 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years 64
- 4 Rertieving History: Margarethe von Tro 84
- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou 109
- Epilogue 129
- Notes 141
- Filmography 171
- Bibliography 173
- Index 189
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Seeing Through he "Postwar" Years 1
- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace 21
- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother 41
- 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years 64
- 4 Rertieving History: Margarethe von Tro 84
- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou 109
- Epilogue 129
- Notes 141
- Filmography 171
- Bibliography 173
- Index 189