Chapter three Little Theatres, MOMA, and the Birth of Art Cinema, 1925–1945

Paul McEwan

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University of Texas Press

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Chapter three Little Theatres, MOMA, and the Birth of Art Cinema, 1925–1945

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Harvard
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McEwan, Paul. "Chapter three Little Theatres, MOMA, and the Birth of Art Cinema, 1925–1945". Cinema's Original Sin: D.W. Griffith, American Racism, and the Rise of Film Culture, New York, USA: University of Texas Press, 2022, pp. 84-109. https://doi.org/10.7560/325483-005

McEwan, P. (2022). Chapter three Little Theatres, MOMA, and the Birth of Art Cinema, 1925–1945. In Cinema's Original Sin: D.W. Griffith, American Racism, and the Rise of Film Culture (pp. 84-109). New York, USA: University of Texas Press. https://doi.org/10.7560/325483-005

McEwan, P. 2022. Chapter three Little Theatres, MOMA, and the Birth of Art Cinema, 1925–1945. Cinema's Original Sin: D.W. Griffith, American Racism, and the Rise of Film Culture. New York, USA: University of Texas Press, pp. 84-109. https://doi.org/10.7560/325483-005

McEwan, Paul. "Chapter three Little Theatres, MOMA, and the Birth of Art Cinema, 1925–1945" In Cinema's Original Sin: D.W. Griffith, American Racism, and the Rise of Film Culture, 84-109. New York, USA: University of Texas Press, 2022. https://doi.org/10.7560/325483-005

McEwan P. Chapter three Little Theatres, MOMA, and the Birth of Art Cinema, 1925–1945. In: Cinema's Original Sin: D.W. Griffith, American Racism, and the Rise of Film Culture. New York, USA: University of Texas Press; 2022. p.84-109. https://doi.org/10.7560/325483-005

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Frontmatter i
Contents v
Acknowledgments vii
Introduction 1
Chapter one A New Art, 1895–1915 13
Chapter two Film Art, Intolerance, and Oscar Micheaux, 1915–1925 52
Chapter three Little Theatres, MOMA, and the Birth of Art Cinema, 1925–1945 84
Chapter four From American History to Film History, 1945–1960 110
Chapter five In Search of Legitimacy and Masterpieces: Film Studies in the Academy, 1960–2000 136
Chapter six Race, Reception, and Remix in the New Millennium 162
Epilogue 192
Notes 199
Index 219

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https://doi.org/10.7560/325483-005

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Frontmatter i
Contents v
Acknowledgments vii
Introduction 1
Chapter one A New Art, 1895–1915 13
Chapter two Film Art, Intolerance, and Oscar Micheaux, 1915–1925 52
Chapter three Little Theatres, MOMA, and the Birth of Art Cinema, 1925–1945 84
Chapter four From American History to Film History, 1945–1960 110
Chapter five In Search of Legitimacy and Masterpieces: Film Studies in the Academy, 1960–2000 136
Chapter six Race, Reception, and Remix in the New Millennium 162
Epilogue 192
Notes 199
Index 219

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Chapter three Little Theatres, MOMA, and the Birth of Art Cinema, 1925–1945

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