Columbia University Press
Shadow Archives
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Most compelling is Cloutier’s overarching purpose: to explore the deliberate, cautious, and sometimes frustrating ways Claude McKay and three roughly contemporary African American novelists—Ann Petry, Richard Wright, and Ralph Ellison—approached the archiving and preservation of their papers, and the degrees to which archival collections clarify and reconfigure their legacies.
Brent Hayes Edwards, author of The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism:
As much a tour de force of archival sleuthing as an indispensable theoretical recalibration, Shadow Archives demonstrates that mid-twentieth-century black literature was indelibly molded by the “archival sensibility” of black writers. Tracking the peculiar fate and promise of African American literary papers in the midst of the boom in special collections libraries, Cloutier’s book is literary history in the guise of a boomerang—an exhilarating reminder of the “belated timeliness” and lurking potential of even the neglected and the obsolete.
William J. Maxwell, Washington University in St. Louis:
No novel in hiding is safe from Jean-Christophe Cloutier. He is—hands and laptops down—one of the very best literary detectives and literary historians of his talented generation. In Shadow Archives, he offers a genuinely fresh look at twentieth-century African American writing focused on the rise of black special collections and on the archival entanglements of a who’s who of modern black novelists. It will be one of the best academic books of the year, a memorable contribution to African American studies and a fruitful redirection of the archival turn in American literary scholarship.
Salamishah Tillet, author of Sites of Slavery: Citizenship and Racial Democracy in the Post-Civil Rights Imagination:
Shadow Archives is a page-turner in which Cloutier follows a trail of mistakes, misplaced manuscripts, and missed opportunities that came to define much of twentieth-century African American cultural production. With scholarly ease and writerly grace, he has produced a new and essential story of how our most famous black writers—Claude McKay, Richard Wright, Ann Petry, and Ralph Ellison—actively negotiated their relationship to the past. For them, archives were never dead, but sites of political necessity, historic urgency, and, as Cloutier compellingly shows, a space through which they could reinvent themselves and American culture writ large.
Henry Louis Gates Jr., Harvard University:
In this fascinating book, Jean-Christophe Cloutier, an expert archivist and researcher, presents an original and compelling approach to the history of African American literature through what he terms “archival sensibility.” Grounded in Cloutier’s astute and nuanced discussion of the troubled history of black literary collections, Shadow Archives reads a variety of African American novels as alternative repositories for the black experience. This thought-provoking book provides an important new lens to view the works of Claude McKay, Richard Wright, Ralph Ellison, and Ann Petry; Shadow Archives is a welcome addition to literary criticism.
Fachgebiete
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Frontmatter
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Contents
ix -
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Illustrations
xi -
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Acknowledgments
xiii -
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Abbreviations
xxi -
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Introduction: “Not Like an Arrow, but a Boomerang,” or The Lifecycles of Twentieth- Century African American Literary Papers
1 -
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1. Black Special Collections and the Midcentury Rise of the Institutional Collector
39 -
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2. Claude McKay’s Archival Rebirth: Provenance and Politics in Amiable with Big Teeth
95 -
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3. “At Once Both Document and Symbol”: Richard Wright, Ralph Ellison, and the Lafargue Clinic Photographic Archive
145 -
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4. An Interlude Concerning the Vanishing Manuscripts of Ann Petry
209 -
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5. “Too Obscure for Learned Classification”: Comic Books, Counterculture, and Archival Invisibility in Invisible Man
241 -
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Coda. Disappointed Bridges: A Note on the Discovery of Amiable with Big Teeth
285 -
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Appendix: Artifact Biographies or Vagabond Itineraries of Key Documents Discussed in This Book
305 -
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Notes
313 -
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Permissions
361 -
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Index
363