Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Introduction 3
5. PART ONE. Libraries, Archives, Databases, Editions
6. 1. Unpacking My Digital Library: Programs, Modernisms, Magazines 31
7. 2. Archival Problems, Future Possibilities: Reconceptualizing the Digital Database in Canada 61
8. 3. Editing Modules, Collecting Editions: The Present and Future of Small-Scale Digital Critical Editions 85
9. 4. The HyperRoy Project: New Perspectives on Gabrielle Roy’s Manuscripts and Unpublished Texts 107
10. 5. Reading the Personal Library, Rereading F.R. Scott 120
11. PART TWO. Collaborations
12. 6. BaronessElsa: An Autobiographical Manifesto 139
13. 7. Editing the Wilfred Watson and Sheila Watson Archives: Scholarly Editions ⇔ Digital Projects 161
14. 8. Annotating Malcolm Lowry’s In Ballast to the White Sea 186
15. 9. Editing a Legend: George Whalley 204
16. 10. Canadian Manifestos: Between Poetics and Polemics 225
17. PART THREE. Selective Traditions and Alternative Modernisms
18. 11. Selecting Modernist Poetry in Canada: Readers’ Editions and Editorial Practice 249
19. 12. When Out in Front Gets Left Behind: Sol Allen’s They Have Bodies and Canada’s Archived Avant-Garde 265
20. 13. Bringing the Text to Life: Editing The God of Gods 285
21. 14. Landscapes of Reception: Historicizing the Travails of the New Brunswick Literary Modernists 307
22. 15. Modernism, Antimodernism, and Hugh MacLennan’s Novels of the 1930s 327
23. Works Cited 351
24. Contributors 381
25. Index 387