Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Introduction 1
5. PART I. EXPANDING CINEMA – IMMERSION
6. 1. Multi-Screens and Future Cinema: The Labyrinth Project at Expo 67 29
7. 2. Sounds Complicated: What Sixties Audio Experiments Can Teach Us about the New Media Environments 52
8. 3. The Networked Screen: Moving Images, Materiality, and the Aesthetics of Size 74
9. 4. The ‘Iterative Circle’: Transformation of Web Narrative in Amika 96
10. 5. Handcrank That Globalism: A Digi-Dialogue 111
11. 6. From Photography to Imography: New Media as Metaphor 126
12. PART II. DIGITAL TIME – ARCHIVE
13. 7. Feminist Digital Aesthetics: The Everyday and Yesterday 145
14. 8. The Sight of Sound: The Last Angel of History 160
15. 9. History and Histrionics: Vision Machine’s Digital Poetics 177
16. 10. From Sequence to Stream: Historiography and Media Art 192
17. 11. The Birth of Tragedy in Digital Aesthetics 210
18. PART III. LIQUID SPACE – MOBILITY
19. 12. Armed Vision and the Banalization of War: Full Spectrum Warrior 231
20. 13. The Dialectics of Canadian Film Labour: Technology, Globalization, Nation 251
21. 14. Screening the Call: Cell Phones, Activism, and the Art of Connection 270
22. 15. Immigrant Semiosis 284
23. 16. Precepts for Digital Artwork 304
24. Afterword: What We Must Do 321
25. Bibliography 327
26. Contributors 341
27. Index 349