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When Machines Play Chopin
Ein Kapitel aus dem Buch When Machines Play Chopin

Kapitel in diesem Buch

  1. Frontmatter I
  2. Table of Contents VII
  3. Chapter One Towards Autonomy: Imitation and Expression at the Turn of the Nineteenth Century 1
  4. Chapter Two E.T.A. Hoffmann’s Aesthetics of Music and Musical Machines in “The Automata,” “The Sandman” and Music Reviews 33
  5. Chapter Three Schopenhauer and Hanslick: Toward a Definition of Instrumental Music as an Autonomous Art 65
  6. Chapter Four Virtuosity and the Experience of Listening in Heinrich Heine’s Music Criticism and “Florentine Nights” 92
  7. Chapter Five Rilke’s Phonograph: the “Talking Machine” and Imagined Sound 122
  8. Backmatter 149
https://doi.org/10.1515/9783110232400.bm

Kapitel in diesem Buch

  1. Frontmatter I
  2. Table of Contents VII
  3. Chapter One Towards Autonomy: Imitation and Expression at the Turn of the Nineteenth Century 1
  4. Chapter Two E.T.A. Hoffmann’s Aesthetics of Music and Musical Machines in “The Automata,” “The Sandman” and Music Reviews 33
  5. Chapter Three Schopenhauer and Hanslick: Toward a Definition of Instrumental Music as an Autonomous Art 65
  6. Chapter Four Virtuosity and the Experience of Listening in Heinrich Heine’s Music Criticism and “Florentine Nights” 92
  7. Chapter Five Rilke’s Phonograph: the “Talking Machine” and Imagined Sound 122
  8. Backmatter 149
Heruntergeladen am 21.5.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9783110232400.bm/html?lang=de
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