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Chapter 4 Documentary vs. Narrative
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Introduction xix
- Chapter 1 A Brief History of Film Editing 1
- Chapter 2 To Cut or Not to Cut 29
- Chapter 3 How Genre Affects Editing 53
- Chapter 4 Documentary vs. Narrative 77
- Chapter 5 Features vs. Shorts 103
- Chapter 6 The NLE Editing Revolution 119
- Chapter 7 Final Cut Express: Basic Interface 131
- Chapter 8 Beyond the Basics: Understanding the Tools of Final Cut Express 167
- Chapter 9 Effects and Advanced Editing Techniques 205
- Chapter 10 All About Formats: Capturing, Importing, and Exporting 281
- Chapter 11 LiveType: Advanced Titling 343
- Chapter 12 The Kuleshov Effect 401
- Chapter 13 Nail Polish – Cutting for Comedy 437
- Chapter 14 Nail Polish – Cutting for Drama 463
- Chapter 15 Nail Polish – Cutting for Suspense 489
- Conclusion – Final Thoughts 513
- Appendix 515
- Index 521
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Introduction xix
- Chapter 1 A Brief History of Film Editing 1
- Chapter 2 To Cut or Not to Cut 29
- Chapter 3 How Genre Affects Editing 53
- Chapter 4 Documentary vs. Narrative 77
- Chapter 5 Features vs. Shorts 103
- Chapter 6 The NLE Editing Revolution 119
- Chapter 7 Final Cut Express: Basic Interface 131
- Chapter 8 Beyond the Basics: Understanding the Tools of Final Cut Express 167
- Chapter 9 Effects and Advanced Editing Techniques 205
- Chapter 10 All About Formats: Capturing, Importing, and Exporting 281
- Chapter 11 LiveType: Advanced Titling 343
- Chapter 12 The Kuleshov Effect 401
- Chapter 13 Nail Polish – Cutting for Comedy 437
- Chapter 14 Nail Polish – Cutting for Drama 463
- Chapter 15 Nail Polish – Cutting for Suspense 489
- Conclusion – Final Thoughts 513
- Appendix 515
- Index 521