Präsentiert durch Paradigm Publishing Services
Berghahn Books
Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
Index
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgements ix
- Introduction 1
- 1 Beauvoir’s Children: Girlhood in Innocence 17
- 2 ‘Devenir Mère’: Trajectories of the Maternal Bond in Recent Films starring Isabelle Huppert 33
- 3 Claire Denis’s Chocolat and the Politics of Desire 53
- 4 Revolutionary Road and The Second Sex 67
- 5 Simone de Beauvoir, Melodrama and the Ethics of Transcendence 81
- 6 La Petite Jérusalem: Freedom and Ambiguity in the Paris Banlieues 97
- 7 ‘How Am I Not Myself?’ Engaging Ambiguity in David O. Russell’s I Huckabees 109
- 8 Encounters with the ‘Third Age’: Benguigui’s Inch’Allah Dimanche and Beauvoir’s Old Age 123
- 9 Eastwood Reading Beauvoir Reading Eastwood: Ageing and Combative Self-Assertion in Gran Torino and Old Age 135
- 10 Les Belles Images? Mid-Life Crisis and Old Age in Tamara Jenkins’ The Savages 149
- 11 Feminist Phenomenology and the Films of Sally Potter 161
- Notes on Contributors 175
- Index 179
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgements ix
- Introduction 1
- 1 Beauvoir’s Children: Girlhood in Innocence 17
- 2 ‘Devenir Mère’: Trajectories of the Maternal Bond in Recent Films starring Isabelle Huppert 33
- 3 Claire Denis’s Chocolat and the Politics of Desire 53
- 4 Revolutionary Road and The Second Sex 67
- 5 Simone de Beauvoir, Melodrama and the Ethics of Transcendence 81
- 6 La Petite Jérusalem: Freedom and Ambiguity in the Paris Banlieues 97
- 7 ‘How Am I Not Myself?’ Engaging Ambiguity in David O. Russell’s I Huckabees 109
- 8 Encounters with the ‘Third Age’: Benguigui’s Inch’Allah Dimanche and Beauvoir’s Old Age 123
- 9 Eastwood Reading Beauvoir Reading Eastwood: Ageing and Combative Self-Assertion in Gran Torino and Old Age 135
- 10 Les Belles Images? Mid-Life Crisis and Old Age in Tamara Jenkins’ The Savages 149
- 11 Feminist Phenomenology and the Films of Sally Potter 161
- Notes on Contributors 175
- Index 179