Präsentiert durch Paradigm Publishing Services
Duke University Press
Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
4 Hick Dialogics: Experiencing the Play of Rural Genres
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Contents ix
- Acknowledgments xi
-
Introduction: Rural Music, Intimacy, and Memory
- 1 What Counts as ‘‘Country’’? Rural Performativity in the Twentieth Century 29
- 2 Country Brothers: Kinship as Chronotope 57
- 3 Mixture, Sadness, and Intimacy in the Brazilian Musical Field 83
- 4 Hick Dialogics: Experiencing the Play of Rural Genres 108
- 5 Teleologies of Rural Disappearance: Interpreting Rural Music 136
- 6 Digital Droplets and Analogue Flames: The Circulatory Matrices of Brazilian Country 162
- 7 Producing Rural Locality 186
- 8 Hicks of the World: The Country Cosmopolitan 211
- Conclusion: Postauthoritarian Memory and Rurality 239
- Notes 251
- Musical Works Cited 267
- Bibliography 269
- Index 285
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Contents ix
- Acknowledgments xi
-
Introduction: Rural Music, Intimacy, and Memory
- 1 What Counts as ‘‘Country’’? Rural Performativity in the Twentieth Century 29
- 2 Country Brothers: Kinship as Chronotope 57
- 3 Mixture, Sadness, and Intimacy in the Brazilian Musical Field 83
- 4 Hick Dialogics: Experiencing the Play of Rural Genres 108
- 5 Teleologies of Rural Disappearance: Interpreting Rural Music 136
- 6 Digital Droplets and Analogue Flames: The Circulatory Matrices of Brazilian Country 162
- 7 Producing Rural Locality 186
- 8 Hicks of the World: The Country Cosmopolitan 211
- Conclusion: Postauthoritarian Memory and Rurality 239
- Notes 251
- Musical Works Cited 267
- Bibliography 269
- Index 285