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Kapitel
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Appendix One Box Office Results

© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Introduction The Aesthetic Doxa on the New Wave 1
  5. Chapter One A New Generation Marked by the Emergence of Women 11
  6. Chapter Two Cinephilia in the 1950s 22
  7. Chapter Three Auteur Cinema: An A√air of State 34
  8. Chapter Four Contrasting Receptions 41
  9. Chapter Five The Precursors 70
  10. Chapter Six Between Romanticism and Modernism 95
  11. Chapter Seven Nostalgia for a Heroic Masculinity 128
  12. Chapter Eight The Women of the New Wave: Between Modern and Archaic 145
  13. Chapter Nine Jeanne Moreau: Star of the New Wave and Icon of Modernity 184
  14. Chapter Ten Brigitte Bardot and the New Wave: An Ambivalent Relationship 199
  15. Chapter Eleven The Independent Filmmakers of the Left Bank: A ‘‘Feminist’’ Alternative? 210
  16. Conclusion The New Wave’s Legacy: ‘‘Auteur Cinema’’ 221
  17. Appendix One Box Office Results 225
  18. Appendix Two The Press 227
  19. Notes 231
  20. Bibliography 245
  21. Index 253
Masculine Singular
Ein Kapitel aus dem Buch Masculine Singular
https://doi.org/10.1515/9780822388975-015

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Introduction The Aesthetic Doxa on the New Wave 1
  5. Chapter One A New Generation Marked by the Emergence of Women 11
  6. Chapter Two Cinephilia in the 1950s 22
  7. Chapter Three Auteur Cinema: An A√air of State 34
  8. Chapter Four Contrasting Receptions 41
  9. Chapter Five The Precursors 70
  10. Chapter Six Between Romanticism and Modernism 95
  11. Chapter Seven Nostalgia for a Heroic Masculinity 128
  12. Chapter Eight The Women of the New Wave: Between Modern and Archaic 145
  13. Chapter Nine Jeanne Moreau: Star of the New Wave and Icon of Modernity 184
  14. Chapter Ten Brigitte Bardot and the New Wave: An Ambivalent Relationship 199
  15. Chapter Eleven The Independent Filmmakers of the Left Bank: A ‘‘Feminist’’ Alternative? 210
  16. Conclusion The New Wave’s Legacy: ‘‘Auteur Cinema’’ 221
  17. Appendix One Box Office Results 225
  18. Appendix Two The Press 227
  19. Notes 231
  20. Bibliography 245
  21. Index 253
Heruntergeladen am 24.4.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9780822388975-015/html?lang=de
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