Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Preface vii
4. Introduction 1
5. Part One: The Limits of Taiwan Literature
6. 1. Representing Taiwan: Shifting Geopolitical Frameworks 15
7. 2. Postmodern or Postcolonial? An Inquiry into Postwar Taiwanese Literary History 26
8. 3. On the Concept of Taiwan Literature 51
9. Part Two: Cultural Politics
10. 4. The Importance of Being Perverse: China and Taiwan, 1931–1937 91
11. 5. “ On Our Destitute Dinner Table”: Modern Poetry Quarterly in the 1950s 113
12. 6 The Literary Development of Zhong Lihe and Postcolonial Discourse in Taiwan 140
13. 7. Wang Wenxing’s Backed against the Sea, Parts I and II: The Meaning of Modernism in Taiwan’s Contemporary Literature 156
14. Part Three: History, Truth, and Textual Artifice
15. 8. The Monster That Is History: Jiang Gui’s A Tale of Modern Monsters 179
16. 9. Taiwanese Identity and the Crisis of Memory: Post-Chiang Mystery 213
17. 10. Doubled Configuration: Reading Su Weizhen’s Theatricality 233
18. 11. Techniques behind Lies and the Artistry of Truth: Writing about the Writings of Zhang Dachun 253
19. Part Four: Spectral Topograp hies and Circuits of Desire
20. 12. Travel in Early-Twentieth-Century Asia: On Wu Zhuoliu’s “Nanking Journals” and His Notion of Taiwan’s Alternative Modernity 283
21. 13. Mapping Identity in a Postcolonial City: Intertextuality and Cultural Hybridity in Zhu Tianxin’s Ancient Capital 301
22. 14. Li Yongping and Spectral Cartography 324
23. 15. History, Exchange, and the Object Voice: Reading Li Ang’s The Strange Garden and All Sticks Are Welcome in the Censer of Beigang 348
24. 16. Reenchanting the Image in Global Culture: Reification and Nostalgia in Zhu Tianwen’s Fiction 370
25. Appendix: Chinese Characters for Authors’ Names and Titles of Works 389
26. Contributors 395
27. Index 397