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5 Sounds of Blackness Down Under

The Café of the Gate of Salvation
© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Kapitel in diesem Buch

  1. Frontmatter i
  2. CONTENTS vii
  3. Acknowledgments ix
  4. Introduction ‘‘Blackness’’ and Authenticity: What’s Performance Got to Do with It? 1
  5. 1 The Pot Is Brewing 17
  6. 2 Manifest Faggotry 48
  7. 3 Mother Knows Best 76
  8. 4 ‘‘Nevah Had uh Cross Word’’ 104
  9. 5 Sounds of Blackness Down Under 160
  10. 6 Performance and/as Pedagogy 219
  11. Appendix A Mary Rhyne’s Narrative 257
  12. Appendix B Interview with Mrs. Smith 311
  13. Notes 315
  14. Bibliography 345
  15. Index 361
Appropriating Blackness
Ein Kapitel aus dem Buch Appropriating Blackness
https://doi.org/10.1515/9780822385103-007

Kapitel in diesem Buch

  1. Frontmatter i
  2. CONTENTS vii
  3. Acknowledgments ix
  4. Introduction ‘‘Blackness’’ and Authenticity: What’s Performance Got to Do with It? 1
  5. 1 The Pot Is Brewing 17
  6. 2 Manifest Faggotry 48
  7. 3 Mother Knows Best 76
  8. 4 ‘‘Nevah Had uh Cross Word’’ 104
  9. 5 Sounds of Blackness Down Under 160
  10. 6 Performance and/as Pedagogy 219
  11. Appendix A Mary Rhyne’s Narrative 257
  12. Appendix B Interview with Mrs. Smith 311
  13. Notes 315
  14. Bibliography 345
  15. Index 361
Heruntergeladen am 9.5.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9780822385103-007/html?lang=de
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