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Chapter Twelve “Canada’s Most Outspoken and Witty Man About the Arts”: Toronto, 1960–1968
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Kapitel in diesem Buch
- Front Matter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Selection of Work Acquired during Jarvis’ Time as Director xiv
- “A Walking Work of Art”: Introduction 1
- “A Curiously Mixed Background”: Family and Childhood, 1915–1934 8
- “Douglas Duncan Invented Me”: Undergraduate, 1934–1938 27
- “I May Come Home with an Accent – God Forbid”: Europe, Oxford, and Dartington, 1938–1939 55
- “The Dead Days”: Toronto and New York City, 1939–1941 85
- “Up to My Ears in the Business World”: England, 1942–1945 105
- “To Build a New Kind of Society”: The Council of Industrial Design, 1945–1947 136
- “A Break in a Million”: Pilgrim Pictures, 1947–1950 159
- “I Certainly Hope 1950 Will Be Different”: Oxford House, 1950–1955 189
- “A Museum without Walls”: The National Gallery of Canada, 1955–1956 217
- “A Museum without Walls”: The National Gallery of Canada, 1955–1956 264
- “Canada’s Most Outspoken and Witty Man About the Arts”: Toronto, 1960–1968 299
- “We Have Lost Our Sheep Dog”: The Last Years, 1968–1972 337
- Conclusion 350
- Notes 355
- Bibliography 427
- Index 447
Kapitel in diesem Buch
- Front Matter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Selection of Work Acquired during Jarvis’ Time as Director xiv
- “A Walking Work of Art”: Introduction 1
- “A Curiously Mixed Background”: Family and Childhood, 1915–1934 8
- “Douglas Duncan Invented Me”: Undergraduate, 1934–1938 27
- “I May Come Home with an Accent – God Forbid”: Europe, Oxford, and Dartington, 1938–1939 55
- “The Dead Days”: Toronto and New York City, 1939–1941 85
- “Up to My Ears in the Business World”: England, 1942–1945 105
- “To Build a New Kind of Society”: The Council of Industrial Design, 1945–1947 136
- “A Break in a Million”: Pilgrim Pictures, 1947–1950 159
- “I Certainly Hope 1950 Will Be Different”: Oxford House, 1950–1955 189
- “A Museum without Walls”: The National Gallery of Canada, 1955–1956 217
- “A Museum without Walls”: The National Gallery of Canada, 1955–1956 264
- “Canada’s Most Outspoken and Witty Man About the Arts”: Toronto, 1960–1968 299
- “We Have Lost Our Sheep Dog”: The Last Years, 1968–1972 337
- Conclusion 350
- Notes 355
- Bibliography 427
- Index 447
