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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction “Not the Type of Profession You Could Pursue in a Trade School”: Understanding Commercial Tattooing 1
- 1 “What Happened in the Tattoo Shop?”: Regulation and Resilience across Canada, 1881–1989 41
- 2 Who and Where Was “Sailor Joe”? Media, Amusement, and Investigation by the FBI and RCMP, 1887–1981 89
- 3 “Samples Can Be Seen on the Premises”: Changing Spaces in Victoria and Vancouver, 1891–1983 141
- 4 “To Heighten the Effect”: Relations between Visual Art and Tattooing in Halifax, 1894–1979 197
- 5 “An Artist’s View of Tattooing”: Aba Bayefsky in Toronto and Japan, 1970–1995 255
- Epilogue “Everybody Is the Type”: Tattoo Conventions and a Century of Commercial Tattooing in Canada 293
- Figures 305
- Notes 313
- Bibliography 367
- Index 395
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction “Not the Type of Profession You Could Pursue in a Trade School”: Understanding Commercial Tattooing 1
- 1 “What Happened in the Tattoo Shop?”: Regulation and Resilience across Canada, 1881–1989 41
- 2 Who and Where Was “Sailor Joe”? Media, Amusement, and Investigation by the FBI and RCMP, 1887–1981 89
- 3 “Samples Can Be Seen on the Premises”: Changing Spaces in Victoria and Vancouver, 1891–1983 141
- 4 “To Heighten the Effect”: Relations between Visual Art and Tattooing in Halifax, 1894–1979 197
- 5 “An Artist’s View of Tattooing”: Aba Bayefsky in Toronto and Japan, 1970–1995 255
- Epilogue “Everybody Is the Type”: Tattoo Conventions and a Century of Commercial Tattooing in Canada 293
- Figures 305
- Notes 313
- Bibliography 367
- Index 395