NINE. Resistance in Collaboration: Chinese Cinema in Occupied Shanghai, 1941-1945

Chapters in this book

1. Frontmatter i
2. Contents vi
3. Preface viii
4. Note on Romanization x
5. Contributors xiii
6. Introduction: Occupied China and the Limits of Accommodation 1
7. PART ONE. Negotiations with Japan: Official, Unofficial, and Covert
8. ONE. Wang Jingwei and the Policy Origins of the "Peace Movement," 1932-1937 21
9. TWO. Regional Office and the National Interest: Song Zheyuan in North China, 1933-1937 38
10. THREE. Nationalist China's Negotiating Position During the Stalemate, 1938-1945 56
11. PART TWO. Client Regimes: Genesis, Character, and Justification
12. FOUR. The Creation of the Reformed Government in Central China, 193 8 79
13. FIVE. The Wang Jingwei Regime, 1940-1945: Continuities and Disjunctures with Nationalist China 102
14. SIX. Survival as Justification for Collaboration, 1937-1945 116
15. PART THREE. Elite Collaboration: Opportunism, Obstacles, and Ambiguities
16. SEVEN. Japan's New Order and the Shanghai Capitalists: Conflict and Collaboration, 1937-1945 135
17. EIGHT. Patterns and Dynamics of Elite Collaboration in Occupied Shaoxing County 156
18. NINE. Resistance in Collaboration: Chinese Cinema in Occupied Shanghai, 1941-1945 180
19. PART FOUR. The Hinterland: Collaboration, Resistance, and Anarchy
20. TEN. The War Within a War: A Case Study of a· County on the North China Plain 201
21. ELEVEN. Communist Sources for Localizing the Study of the Sino-Japanese War 226
22. Notes 237
23. Index 285