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Duke University Press
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Stuart Hall: Selected Writings
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Writings on Media collects Stuart Hall's most important work on the media, reaffirming his stature as an innovative media theorist while demonstrating the continuing relevance of his methods of analysis.
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Selected Writings on Race and Difference gathers more than twenty essays by Stuart Hall that highlight his extensive and groundbreaking engagement with race, representation, identity, difference, and diaspora.
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This collection of Stuart Hall's key writings on Marxism surveys the formative questions central to his interpretations of and investments in Marxist theory and practice.
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The first volume of the landmark two-volume collection of Stuart Hall's most important and influential essays, Foundations of Cultural Studies focuses on the first half of Hall's career, when he wrestled with questions of culture, class, representation, and politics.
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The second volume of the landmark two-volume collection of Stuart Hall's most important and influential essays, Identity and Diaspora draws from Hall's later career, in which he investigated questions of colonialism, empire, and race.
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First appearing in 1964, and long since out of print, Stuart Hall and Paddy Whannel’s landmark book The Popular Arts takes seriously the importance of studying popular culture, thereby opening up an almost unprecedented field of analysis of everything from film, pulp crime novels, and jazz to television and advertising.
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With great insight, compassion, and wit Stuart Hall (1932–2014) tells how his experiences—from growing up in colonial Jamaica and attending Oxford to participating in the thorny politics of 1950s and 1960s Britain—shaped his intellectual and political work to become one of his age's brightest intellectual lights.
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Written between 1957 and 2011 and appearing in publications such as New Left Review and Marxism Today, these twenty essays are Stuart Hall's best known and most important writings that directly engage with political issues.
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Unavailable until now, these eight lectures delivered by Stuart Hall in 1983 at the University of Illinois introduced North American audiences to the intellectual history of British cultural studies while simultaneously presenting Hall's original engagements with the theoretical positions that contributed to the formation of cultural studies.