The memoirs presented in Women of the Catacombs offer a rare close-up account of the underground Orthodox community and its priests during some of the most difficult years in Russian history. The catacomb church in the Soviet Union came into existence in the 1920s and played a significant part in Russian national life for nearly fifty years. Adherents to the Orthodox faith often referred to the catacomb church as the "light shining in the dark." Women of the Catacombs provides a first-hand portrait of lived religion in its social, familial, and cultural setting during this tragic period.

Until now, scholars have had only brief, scattered fragments of information about Russia's illegal church organization that claimed to protect the purity of the Orthodox tradition. Vera Iakovlevna Vasilevskaia and Elena Semenovna Men, who joined the church as young women, offer evidence on how Russian Orthodoxy remained a viable, alternative presence in Soviet society, when all political, educational, and cultural institutions attempted to indoctrinate Soviet citizens with an atheistic perspective. Wallace L. Daniel's translation not only sheds light on Russia's religious and political history, but also shows how two educated women maintained their personal integrity in times when prevailing political and social headwinds moved in an opposite direction.

Blending close readings of literature, films, and other artworks with analysis of texts of political philosophy, science, and social theory, Mieka Erley offers an interdisciplinary perspective on attitudes to soil in Russia and the Soviet Union from the early nineteenth to the mid-twentieth century. As Erley shows in On Russian Soil, the earth has inspired utopian dreams, reactionary ideologies, social theories, and durable myths about the relationship between nation and nature.

In this period of modernization, soil was understood as the collective body of the nation, sitting at the crux of all economic and social problems. The "soil question" was debated by nationalists and radical materialists, Slavophiles and Westernizers, poets and scientists.

On Russian Soil highlights a selection of key myths at the intersection of cultural and material history that show how soil served as a natural, national, and symbolic resource from Fedor Dostoevsky's native soil movement to Nikita Khrushchev's Virgin Lands campaign at the Soviet periphery in the 1960s. Providing an original contribution to ecocriticism and environmental humanities, Erley expands our understanding of how cultural processes write nature and how nature inspires culture.

On Russian Soil brings Slavic studies into new conversations in the environmental humanities, generating fresh interpretations of literary and cultural movements and innovative readings of major writers.

This second book in a three-volume work on the young Fyodor Dostoevsky is a diary-portrait of his early years drawn from letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life.

The result of an exhaustive search of published materials on Dostoevsky, this volume sheds crucial light on the many unexplored corners of Dostoevsky's life in the time between the success of his first novel, Poor Folk, and the failure of his next four works. Thomas Gaiton Marullo lets the original writers speak for themselves—the good and the bad, the truth and the lies—and adds extensive notes with correctives, counterarguments, and other pertinent information.

Marullo looks closely at Dostoevsky's increasingly tense ties with Vissarion Belinsky, Nikolai Nekrasov, Ivan Turgenev, and other figures of the Russian literary world. He then turns to the individuals who afforded Dostoevsky security and peace amid the often negative reception from fellow writers and readers of his early fiction. Finally, Marullo shows us Dostoevsky's break with the Belinsky circle; his struggle to stay afloat emotionally and financially; and his determination to succeed as a writer while staying true to his vision, most notably, his insights into human psychology that would become a hallmark of his later fiction.

This clear and comprehensive portrait of one of the world's greatest writers provides a window into his younger years in a way no other biography has to date.

In From Victory to Peace, Elise Kimerling Wirtschafter brings the Russian perspective to a critical moment in European political history.

This history of Russian diplomatic thought in the years after the Congress of Vienna concerns a time when Russia and Emperor Alexander I were fully integrated into European society and politics. Wirtschafter looks at how Russia's statesmen who served Alexander I across Europe, in South America, and in Constantinople represented the Russian monarch's foreign policy and sought to act in concert with the allies.

Based on archival and published sources—diplomatic communications, conference protocols, personal letters, treaty agreements, and the periodical press—this book illustrates how Russia's policymakers and diplomats responded to events on the ground as the process of implementing peace unfolded.

Thanks to generous funding from the Sustainable History Monograph Pilot and the Mellon Foundation the ebook editions of this book are available as Open Access (OA) volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other Open Access repositories.

For any serious scholar of Russian and Ukrainian witchcraft and magic, this volume is a 'must read.'... Scholars of folklore and popular culture also will find much of value. â• Folklorica

This sourcebook provides the first systematic overview of witchcraft laws and trials in Russia and Ukraine from medieval times to the late nineteenth century. Witchcraft in Russia and Ukraine, 1000–1900 weaves scholarly commentary with never-before-published primary source materials translated from Polish, Russian, and Ukrainian. These sources include the earliest references to witchcraft and sorcery, secular and religious laws regarding witchcraft and possession, full trial transcripts, and a wealth of magical spells. The documents present a rich panorama of daily life and reveal the extraordinary power of magical words.

Editors Valerie A. Kivelson and Christine D. Worobec present new analyses of the workings and evolution of legal systems, the interplay and tensions between church and state, and the prosaic concerns of the women and men involved in witchcraft proceedings. The extended documentary commentaries also explore the shifting boundaries and fraught political relations between Russia and Ukraine.

God, Tsar, and People brings together in one volume essays written over a period of fifty years, using a wide variety of evidence—texts, icons, architecture, and ritual—to reveal how early modern Russians (1450–1700) imagined their rapidly changing political world.

This volume presents a more nuanced picture of Russian political thought during the two centuries before Peter the Great came to power than is typically available. The state was expanding at a dizzying rate, and atop Russia's traditional political structure sat a ruler who supposedly reflected God's will. The problem facing Russians was that actual rulers seldom—or never—exhibited the required perfection. Daniel Rowland argues that this contradictory set of ideas was far less autocratic in both theory and practice than modern stereotypes would have us believe. In comparing and contrasting Russian history with that of Western European states, Rowland is also questioning the notion that Russia has always been, and always viewed itself as, an authoritarian country. God, Tsar, and People explores how the Russian state in this period kept its vast lands and diverse subjects united in a common view of a Christian polity, defending its long frontier against powerful enemies from the East and from the West.

Haunted Empire shows that Gothic elements in Russian literature frequently expressed deep-set anxieties about the Russian imperial and national identity.

Valeria Sobol argues that the persistent presence of Gothic tropes in the literature of the Russian Empire is a key literary form that enacts deep historical and cultural tensions arising from Russia's idiosyncratic imperial experience. Her book brings together theories of empire and colonialism with close readings of canonical and less-studied literary texts as she explores how Gothic horror arises from the threatening ambiguity of Russia's own past and present, producing the effect Sobol terms "the imperial uncanny." Focusing on two spaces of the imperial uncanny—the Baltic north/Finland and the Ukrainian south—Haunted Empire reconstructs a powerful discursive tradition that reveals the mechanisms of the Russian imperial imagination that are still at work today.

Open Access edition funded by the National Endowment for the Humanities.