List of Contributors

Kapitel in diesem Buch

1. Frontmatter I
2. Preface V
3. Contents VII
4. List of Figures XI
5. Introduction 1
6. Part I: Parenthesis in Ancient Literature
7. Roman Comedy and (Greek) Comedy 9
8. Fragmenting a Conversation on otium: Catullus 51.1–16 as Parenthesis between Calvus and Ennius 21
9. Silent Witnesses and Implausible Judgements: Echoes of Direct Speech in Catullus’ Song of the Parcae (Catull. 64) 45
10. Filling Narrative Gaps and Bracketing Information in (Pseudo)Senecan Tragedy 65
11. Part II: Parenthesis in Modern Literature
12. The ‘Hidden’ Flirt with Antiquity: A Parenthesis in C.P. Cavafy’s Early Poetical Work 93
13. A Part Apart: Niobe in Günter Grass’s Tin Drum 115
14. Lyric Digression, Parenthesis, Asides: Horace and Dylan 129
15. Rethinking Ovidian Womanhood in Carol Ann Duffy’s “Eurydice” 145
16. Part III: Parenthesis in Theatre
17. Three Witches – Three Unities: Aristotle in Macbeth 167
18. Embracing Antiquity: Brecht’s Antigone-Model 1948 181
19. Part IV: Parenthesis in Scholarship
20. Philology as Parenthesis: Philological Theory around 1800 and its Contemporary Potentials (Friedrich Schlegel, August Boeckh) 201
21. Artemidorus and the Question of Method in Freud’s Interpretation of Dreams 221
22. Rachel Bespaloff Reads (Homer) 237
23. Antiquity’s Parenthesis and the Poetics of Dissociative Time: Political Outsideness and Futurity in and through Foucault’s Cynic Parrhesia 259
24. Part V: Parenthesis in Translation
25. Translating for the Dead: Moshe Ha-Elion’s Homeric Translations into Salonican Ladino 287
26. Inside and Outside: David Hadbawnik’s Verse Version of Vergil’s Aeneid 301
27. Part VI: Parenthesis in Art and Cinema
28. Reversible Nestings of the Mythic and the Real (Velázquez, Feast of Bacchus) 319
29. Illustration in and to the Side of Eighteenth-Century Antiquarianism 351
30. Fragment-Bodies: Rodin’s and Rilke’s Torsos 375
31. The Classics in Viennese Modernity: A Hesiodic Parenthesis in Gustav Klimt’s Beethoven Frieze 405
32. On Parenthetical Receptions of the Classical: Intermediality, Nesting, and the Gender of the Universal (Twombly’s Achilles, Woodman’s Daphne) 425
33. Narrative and Parenthesis: From Homeric Simile to Cinematic Flashback 457
34. List of Contributors 483
35. Index 487