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Introduction
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Sarah Greifenstein
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Kapitel in diesem Buch
- Frontmatter I
- Acknowledgements V
- Contents VII
- Introduction 1
- From Metaphor To Metaphorizing: How Cinematic Metaphor Opens Up Metaphor Studies 17
- Murnau And Metaphor: From Cinematic Expressionism To Cinematic Expressive Movements 36
- Insights For Linguistics And Gesture Studies From Film Studies: A View From Researching Cinematic Metaphor 53
- Moving Metaphors: Affects, Movements, And Embodied Metaphors In Cinema 69
- Actio Per Distans: Blumenberg’S Metaphorology And Hitchcock’S Rear Window 93
- Our Metaphorical Experiences Of Film 120
- Name Index 141
- Subject Index 144
- About The Authors 146
- About The Editors 149
Kapitel in diesem Buch
- Frontmatter I
- Acknowledgements V
- Contents VII
- Introduction 1
- From Metaphor To Metaphorizing: How Cinematic Metaphor Opens Up Metaphor Studies 17
- Murnau And Metaphor: From Cinematic Expressionism To Cinematic Expressive Movements 36
- Insights For Linguistics And Gesture Studies From Film Studies: A View From Researching Cinematic Metaphor 53
- Moving Metaphors: Affects, Movements, And Embodied Metaphors In Cinema 69
- Actio Per Distans: Blumenberg’S Metaphorology And Hitchcock’S Rear Window 93
- Our Metaphorical Experiences Of Film 120
- Name Index 141
- Subject Index 144
- About The Authors 146
- About The Editors 149
