Visual iconicity in Latin poetry
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Paolo Dainotti
Abstract
This paper aims to assess the role of visual iconicity in Latin poetry. Even though major Latin poems include, indeed, a good deal of verses that succeed in recreating mimetically the subject matter by exploiting the potential of word ordering – a good case in point is Aen. IV 165 speluncam Dido dux et Troianus eandem, where the word order enables the reader to visualize Dido and Aeneas inside the cave – to date visual iconicity has not attracted very much attention from classical scholars. By singling out the major patterns of visual iconicity in Latin poetry, this paper will make a case for its relevance to literary history. It will reinforce, through textual evidence, the non-arbitrariness of the iconic interpretation applied to classical texts.
Abstract
This paper aims to assess the role of visual iconicity in Latin poetry. Even though major Latin poems include, indeed, a good deal of verses that succeed in recreating mimetically the subject matter by exploiting the potential of word ordering – a good case in point is Aen. IV 165 speluncam Dido dux et Troianus eandem, where the word order enables the reader to visualize Dido and Aeneas inside the cave – to date visual iconicity has not attracted very much attention from classical scholars. By singling out the major patterns of visual iconicity in Latin poetry, this paper will make a case for its relevance to literary history. It will reinforce, through textual evidence, the non-arbitrariness of the iconic interpretation applied to classical texts.
Kapitel in diesem Buch
- Prelim pages i
- Table of contents v
- List of contributors ix
- Introduction 1
-
Part I. Iconicity and conceptualization
- Iconicity by blending 13
- The Bashō code 25
- Iconicity in gotoochi-kitii ‘localized Hello Kitty’ 43
- Grammar-internal mimicking and analogy 63
- To draw a bow 引 83
- Spatiotemporal aspects of iconicity 95
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Part II. Visual iconicity
- From diagrams to poetry 121
- The iconized letter 141
- The semantics of structure 159
- Visual iconicity in Latin poetry 173
- Shared and direct experiential iconicity in digital reading games 191
- Iconicity, intermediality, and interpersonal meanings in a Social Semiotic Space 211
- Model and icon 233
- Degrees of indetermination in intersemiotic translation 247
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Part III. Auditory iconicity
- Sound, image and fake realism 263
- Opera, oratorio, and iconic strategies 275
- On some iconic strategies in concept albums within the Italian singer-songwriter tradition 295
- Iconically expressible meanings in Proto-Indo-European roots and their reflexes in daughter branches 311
- The lexical iconicity hierarchy and its grammatical correlates 331
- Author index 351
- Subject index 355
Kapitel in diesem Buch
- Prelim pages i
- Table of contents v
- List of contributors ix
- Introduction 1
-
Part I. Iconicity and conceptualization
- Iconicity by blending 13
- The Bashō code 25
- Iconicity in gotoochi-kitii ‘localized Hello Kitty’ 43
- Grammar-internal mimicking and analogy 63
- To draw a bow 引 83
- Spatiotemporal aspects of iconicity 95
-
Part II. Visual iconicity
- From diagrams to poetry 121
- The iconized letter 141
- The semantics of structure 159
- Visual iconicity in Latin poetry 173
- Shared and direct experiential iconicity in digital reading games 191
- Iconicity, intermediality, and interpersonal meanings in a Social Semiotic Space 211
- Model and icon 233
- Degrees of indetermination in intersemiotic translation 247
-
Part III. Auditory iconicity
- Sound, image and fake realism 263
- Opera, oratorio, and iconic strategies 275
- On some iconic strategies in concept albums within the Italian singer-songwriter tradition 295
- Iconically expressible meanings in Proto-Indo-European roots and their reflexes in daughter branches 311
- The lexical iconicity hierarchy and its grammatical correlates 331
- Author index 351
- Subject index 355
