Redrawing and publishing the graphics in Wittgenstein’s Nachlass
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Michele Lavazza
Abstract
In 2022-2024, on the initiative of the Wittgenstein Archives at the University of Bergen, a project was undertaken to digitally remake all the drawings in the Nachlass. The objective was to “normalise” them in a way similar to that in which text is normalised when transcribing and editing a manuscript for publication. Thanks to a cooperation between the directors of the WAB and two graphic artists, with further input from many experts, the approximately 1000 drawings were copied from facsimiles of Wittgenstein’s manuscripts and typescripts as highquality vector images. Before and during this process, discussions were had about technical choices as well as the philosophical role of individual items, the interpretation of which affected the way they were redrawn. The resulting visuals were embedded in the WAB’s transcriptions of the Nachlass; moreover, a dedicated Wittgenstein Nachlass Graphics website was built to make the new, freely-licenced drawings available to browse, download and search by taxonomical tags. This paper aims to give an account of the project’s history and editorial approach and to provide technical guidance on how to use the graphic files and the website through which they are made available.
© 2025 by Walter de Gruyter Berlin/Boston
Articles in the same Issue
- Titelei
- Inhalt
- Hinweis für Leser / Note for Readers
- Tractarian Nonsense and Literary Language
- The Middle Wittgenstein on Aesthetics
- The Question of Linguistic Idealism in the Tractatus
- Waismann and Waismann’s Wittgenstein
- Die Grenzen welcher Sprache?
- Wittgenstein on Freud’s Interpretation of Dreams
- Wittgenstein über die Erkenntnis Anderer
- Shouldered In and Out of the Reality of Mortality
- On Deep Moral Disagreement Between Theists and Atheists
- Redrawing and publishing the graphics in Wittgenstein’s Nachlass
- Special Topic: Das erlösende Wort in dürftigen Zeiten – Wittgensteins Fortschritts-, Zivilisations- und Kulturkritik
- Einleitung
- Text und Kontext
- Wozu Philosophie und Kunst in Zeiten der Unkultur?
- „[I]ch sehe jedes Problem von einem religiösen Standpunkt.“
- Wittgensteins „erlösende Worte“
- Wittgenstein über die Bildung von Begriffen
- Buchbesprechungen / Book Reviews
- David R. Cerbone: Wittgenstein on Realism and Idealism
- Peter Eigner: Die Wittgensteins. Geschichte einer unglaublich reichen Familie
- Raimundo Henriques: Self-Understanding in the Tractatus and Wittgenstein’s Architecture: From Adolf Loos to the Resolute Reading
- Shunichi Takagi, Pascal F. Zambito (eds.): Wittgenstein and Nietzsche
Articles in the same Issue
- Titelei
- Inhalt
- Hinweis für Leser / Note for Readers
- Tractarian Nonsense and Literary Language
- The Middle Wittgenstein on Aesthetics
- The Question of Linguistic Idealism in the Tractatus
- Waismann and Waismann’s Wittgenstein
- Die Grenzen welcher Sprache?
- Wittgenstein on Freud’s Interpretation of Dreams
- Wittgenstein über die Erkenntnis Anderer
- Shouldered In and Out of the Reality of Mortality
- On Deep Moral Disagreement Between Theists and Atheists
- Redrawing and publishing the graphics in Wittgenstein’s Nachlass
- Special Topic: Das erlösende Wort in dürftigen Zeiten – Wittgensteins Fortschritts-, Zivilisations- und Kulturkritik
- Einleitung
- Text und Kontext
- Wozu Philosophie und Kunst in Zeiten der Unkultur?
- „[I]ch sehe jedes Problem von einem religiösen Standpunkt.“
- Wittgensteins „erlösende Worte“
- Wittgenstein über die Bildung von Begriffen
- Buchbesprechungen / Book Reviews
- David R. Cerbone: Wittgenstein on Realism and Idealism
- Peter Eigner: Die Wittgensteins. Geschichte einer unglaublich reichen Familie
- Raimundo Henriques: Self-Understanding in the Tractatus and Wittgenstein’s Architecture: From Adolf Loos to the Resolute Reading
- Shunichi Takagi, Pascal F. Zambito (eds.): Wittgenstein and Nietzsche
